#Stars lost to night

[monstermonger]

A Night Sky in the Woods

[twobrokenwyngs]

Travis Cohle ⟶ True Detective Season 1: Who Goes There ⟶ True Detective Night Country: Part 2

[collophora]

"Let's fix this drawing" *redraw the whole thing*

[niff-of-draws]

just stay right here and let the cosmos twirl

[id in alt]

[spicynectarines]

“Can I go back to bed now?”

“In a minute, there’s a fascinating holocron on ancient lightsaber forms I want to study.”

[shisasan]

by Zoltán Boros & Gabor Szikszai

[inexplicably-spookified]

Lea… do you remember what a clear sky looks like at night?

Out in the countryside, no town or city nearby?

I hope one day you will…

[notanodinarygirl]

Okay, so I've been gatekeeping this edit for way too long now 😅. I just couldn't find time to post this but now I've plenty of time and the 1st thing on my list is to post this here.

Basically it is an edit on the parallels from the episodes Jedi Night and Family Reunion and Farewell on the song Exile by Taylor Swift.

Here's the edit, I hope you like it <3

Gosh tumblr don't ruin the quality 😭😭

[feroluce]

Lucid Dreamer (1/2)

part 2

Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!

But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.

He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.

And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.

…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.

Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-

Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.

Gepard goes back home. He waits.

The uneasiness doesn't leave him.

"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.

"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.

"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.

Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."

Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.

"…I'll be back in one more week."

Gepard jolts awake in his cot, mouth dry and eyes bleary.

The hell.

The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.

Gepard doesn't know if he wants to dream more, or less.

He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!

Gepard falls asleep late that night, unable to settle. He dreams again.

He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.

He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.

He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.

"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.

"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.

"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.

Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."

Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.

Something is wrong, something is really really wrong.

Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-

"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."

Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.

"Wake up."

Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.

He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.

And he waits and he waits and he waits.

No one he recognizes appears.

[reyturnofbensolo]

Art inspired by Episodes 1 and 2 @markomanev

Episode 3 Episode 4

Episode 5 Episode 6

Episode 7 Episode 8

[go-see-a-starwar]

[pocketramblr]

Inspired by this post: give Bruce a star sapphire ring

I've never met anyone who cared as deeply for his fellow man as Bruce Wayne

[lostsoulsparadise]

Lost Souls Paradise | Instagram

[sombredancer]

Asian dramas and my favorite types of characters

There are my favorite types of characters as a list. A villain with a fatal weakness

Drama: The Scholar Who Walks the Night /밤을 걷는 선비 Character: Gwi Screentime: Secondary Gwi is an ancient vampire and a master of puppets (and Joseon's king is the main of them). He is merciless, invincible and scheming all the drama long, until he accidentally kills a girl, who was his hostage and recalcitrant puppet from her childhood on and was the only one who could scold him and deny him. Nothing about it is said directly in the drama, but after her death he goes insane, kills all of his puppets and this way causes his own death. So, I suppose, she was his only weakness, and I like this type of a personal drama for a villain. Punch-Clock Villain / the Dragon

Drama: 100 Days My Prince /백일의 낭군님 Character: Moo-yeon Screentime: Secondary Moo-yeon works as an assassin for the killer of his father, who is constantly threatening him with the life of his sister. Moo-yeon is a man of a very ill fate: his family was accused of a treason and executed, his sister became a fugitive, he was forced to sell his conscience for his and sister's lives and, as a cherry on the top of this cake, fell in love with the daughter of his captor. And died trying to save her... His story is sooooo sad, but it makes me feel for this character fully. Also, he is the king of whump because the half of the drama he is injured and suffers from his wounds. The whole sad story of this guy is analyzed by me here, here and here.

Drama: The King Loves /왕은 사랑한다 Character: Moo-suk Screentime: Minor Koreans, obviously, like this type of characters, too, so there is another Dragon of the main villain, Moo-suk. In his free from dirty deeds time he h̶e̶l̶p̶s̶ ̶o̶l̶d̶ ̶l̶a̶d̶i̶e̶s̶ ̶c̶r̶o̶s̶s̶ ̶t̶h̶e̶ ̶r̶o̶a̶d̶ literally saves cute children and restores self-confidence of young ladies. And then he falls in love, rethinks his life and dies from the hand of his master. Predictable and sad. Still a memorable guy, though. 50 shades of a Byronic Hero

Drama: The Wolf / 狼殿下 Character: Chu Youwen Screentime: Main A Mowgli boy was adopted by a wicked emperor, brought up like a cruel beast and was forced to do some dirty stuff for the emperor. He is mysterious, severe and you never know what's on his mind. As a true Byronic hero. He is some kind of Dragon, too, but it's a Chinese drama and he is a main hero in it, that's why he doesn't really do anything bad during the series. His soul is kind and his heart is pure, but he hides it from his love and deals with all of his problems on his own. It's the reason why all of this drama is a masochistic tango between him and his love. Whump lovers will be happy, too, because he is constantly in chains, pierced by arrows like a hedgehog or works as a slave in mines. As any other Dragon, he has a BE.

Drama: Lost You Forever /长相思 第一季 Character: Xiang Liu Screentime: Secondary A mysterious demon general, whose name makes everyone shake in fear. A former demon slave, who is true to his word enough to fight for his benefactor even if he knows crystal clearly that it's hopeless and he and his army will die in the end. A man who has huge problems with expression of his emotions in a socially approved way. Edward Cullen of Chinese dramaland. He is enigmatic, with thick vibes of a bad guy, yet very loyal to his benefactor as well as his love and very selfless. Because of this loyalty he will die and the love of his life will never-ever find out about anything he has done for her during the story.

Drama: My Journey to You /云之羽 Character: Gong Shangjue Screentime: Secondary A guy was through trauma in his childhood and it made him look intimidating and unfeeling. A tsundere is born! He coped with his trauma by taking extra responsibilities for everything and everyone and turned to be a walking killing machine instead of a man. But an enemy assassin comes to his life and teaches him how to be a human once more. It's a painful experience, but it`s necessary in order to grow up as a character and is beautifully fulfilled. It was a great joy to know that he survives at the end of the story, it's a rare thing for this type of characters, so even if there is season 2 someday, I will not watch it in order not to spoil my impression of the first one. I wrote about him detailed here, here, here and here.

Drama: Princess Agents / 特工皇妃楚乔传 Character: Yan Xun Screentime: Secondary It's the transformation story, too, like a previous one, but this time it's transformation from an ordinary man to a villain. Prince Yan Xun is a hostage colony prince in a metropolis empire, but he enjoys a noble life along with other nobility youth. The society around him is awful, each of these noble youths is a psycho who appreciate human hunt and so on, but cheerful and easy-going Yan Xun doesn't think their bloodthirstiness could turn against him. When relationship between the metropolis and the colony become tense, though, Yan Xun's friends of yesterday are happy to drink his blood. He loses his whole family and, insanely longing for revenge, slowly turns to one of those monsters himself.

Drama: A Journey to Love / 一念关山 Character: Li Tongguang Screentime: Minor This guy has got a very realistic personality and background: he is a bastard who was deprived of mother's love since he was a child. The first circumstance made him power-hungry, scheming and outwardly emotionless, the second one made him longing for mother's love on insanely level. So he is invincible outwardly, but turns into a teary mess when it's about his female tutor, who is a mother figure for him. The contrast between these two personalities is enormous and makes this character very alive and interesting. During the drama he will not cope with his Oedipus complex but circumstances will solve this problem for him.

A pure-hearted hero

Drama: Creation of the Gods Ⅰ / 封神三部曲 Character: Ji Fa Screentime: Main It's maybe strange to find this type of characters in the list of my favorite types, but morality and selflessness of a character is very important for me, too. This story is some kind of King Arthur's legend, but in a Chinese way. The emperor is bewitched by a demon and is bringing the kingdom to it's downfall, the Gods are here to find the savior with the help of a magic scroll that can be opened only by a true king. Ji Fa, a hero of this story, doesn't care about scrolls, but his heart is loyal to his kingdom and to his family (in this very order). He genuinely wants to help his friend-prince to be a king his kingdom deserves and, despite awful things that were done to him and his family, doesn`t harden his soul and betray his ideals. And, I suppose, although he isn't aware of this, he IS the future King Arthur of China. Interesting character decisions

Drama: The Legends/招摇 Characters: Jiang Wu Screentime: Minor This character is something like a rival of the male lead. He is a xinmo - an inner demon of some other character and represents the darkest features of a human's soul. He is a ruthless killer, a dark sorcerer without conscience, but what was very unique, being literary the worst part of a human personality, he values his assistants a lot and genuinely cares for them. A villain is usually a lone wolf. He doesn't trust anyone and doesn't value anyone, his loneliness is usually his weakness and a key to his downfall. So I was pleasantly surprised that sometimes a villain is capable of building healthy relationships with his subordinates.

Drama: Sh**ting Stars / 별똥별 Characters: Do Soo-hyuk Screentime: Minor

This guy truly surprised me. Firstly, he is supposed to be something like a third wheel in relationships of the main couple, but he just calmly got a refusal from the female lead, said "OK" and, absolutely relaxed, proceeded to live his life further. It's something unbelievable for me, because I used to see the insanity caused by an unrequited love to be the plot engine of a lot of dramas. Secondly, he is well-written as a character, straightforward, principled and has tsundere-ish or Byronic vibes - all the character features that I like =) Part 3 will be about other interesting types of relationship, mostly between men.

[sidneycaitlinart]

Initiation’s over, Michael. Time to join the club.

[david-talks-sw]

I can’t remember which post it was off the top of my head but you’ve mentioned how George was explicit that nothing in The Clone Wars directly influences Anakin’s fall to the Dark Side, what about indirectly? There’s the obvious one: Anakin finds it easier to give into his anger as the war goes on. But I was also thinking the events of Hardeen and Wrong Jedi arcs weaken Anakin’s trust in the Order that then plays into the circumstances in which his fall to the Dark Side took place. Like that weakened trust meant Anakin distanced himself which gives context for why he refused to go to Obi-Wan when the visions started.

It also fits with his character because one of Anakin’s flaws is that he takes things way to personally, e.g. he was not the only person the Council lied to about Obi-Wan’s fake death. Then when Ahsoka was leaving the Order after the Council let her down, which they did let her down, she had to remind Anakin that it was about her not him.

Of course weakened trust is nowhere near enough to cause someone to commit genocide and Anakin didn’t seem to make any effort to mend those fences either. And of course none of this would have happened without Palpatine manipulating things. Hence my question of how you think The Clone Wars indirectly influenced his journey to the Dark Side even as none of really tied to why Anakin ultimately fell.

I think you summed it up perfectly, actually.

If you're using Lucas' word as the "be-all, end-all", then The Clone Wars is indeed just an asterisk/addendum to the story of the films.

Its purpose? Providing context for the minor changes between Episode II and Episode III, changes that aren't exactly relevant to the story of Anakin's downfall.

"Anakin seems more mature and less whiny, in Episode III, what happened to change that?" He got a Padawan of his own during the Clone War and when you're put in charge of someone, you grow up real quick.

"He and Obi-Wan were constantly bickering in Episode II, now they're best buds, why?" In Episode II, Anakin was in Obi-Wan's care but felt he needed to leave the nest, whereas Obi-Wan was being a helicopter parent. In The Clone Wars, we see that once Anakin gets knighted, their relationship smooths over, now becoming a more brotherly bond than a parent/child one. Obi-Wan will sometimes worry that Anakin will fly off the handle, but he's also able to recognize his former Padawan is now his own man, whereas Anakin takes responsibility more frequently, now, due to now having a Padawan of his own.

"What's the relationship between Anakin and the other Jedi we saw in the background of the movies?" Find out by tuning in to The Clone Wars!

"The clones have names, now? And they're the Jedi's friends, when did all that happen!" You can find out by seeing them fight side-by-side with the Jedi and slowly becoming independent thinkers, only in The Clone Wars.

"The Jedi are more scheming and political in Episode III, they and Anakin are at odds... why the shift in attitudes?" They were drafted into a war, and forced to make compromise after compromise to a point where their values have been rendered pointless and they've become begrudging hypocrites. They're playing politics (and sucking at it) because they've been dragged onto a political chessboard and are trying to keep up with a far more skilled opponent. These terrible decisions impact all of them, even Anakin.

Stuff like that.

But none of that is relevant to Anakin's story, which is more personal, in nature. It's a story about how his own greed turned him into the very thing he swore to destroy, which parallels how the Republic became the Empire for those same reasons.

The films show us this, and The Clone Wars *reinforces* this narrative by giving us further examples of it.

While Anakin is aware of what's right and wrong... the more the war rages on, the more frequently he takes the "easy" path and gives in to his anger and selfish desires, enabled by Palpatine.

Sometimes Anakin does manage to get a grip, he does manage to take responsibility, he does learn to let go... but then something happens (often orchestrated by Palpatine) and he goes right back to square one... then square zero... then square minus one, etc.

He never takes that final step to being a more enlightened person.

The Clone Wars challenges the Jedi at times, questions their actions... but ultimately, the responsibility falls on Anakin's shoulders. The series will show you moments where they fail Anakin, but there's as many moments of him failing them.

Could the Jedi have done more? Yes. But if you think them doing more would've solved the problem, you're missing the point of the story of the Prequels.

Functionally, all that is achieved from the Council/Anakin conflict (again, orchestrated by Palpatine), in Episode III, is creating more pressure for Anakin to cave under. That's it.

They're not a meaningful factor in his turn to the Dark Side.

Padmé is.

When he's hesitating between saving Mace or saving Palpatine...

... he's not thinking "one of them was nice to me, but the other one was mean to me and kicked out Ahsoka, so I'll chop his hand off".

And he's not thinking "this isn't by the book, Mace you hypocrite!"

Lucas tells us what's going through his head, in that moment.

It's about Padmé living. And we've already established that what that's really about is "Anakin not wanting to live without her". So, really, it's about Anakin.

Mace and Anakin butting heads isn't even considered. If Mace had been laughing with Anakin and hugging him on the daily, Anakin still would've ended up chopping off his hand. It wasn't about Mace, it was about Anakin.

If Ahsoka had stayed with the Jedi Order, he still would've joined the Dark Side. Because it was never about Ahsoka, it was about Anakin.

If Qui-Gon had lived, Anakin would've still turned. It was never about Obi-Wan or Qui-Gon being the teachers, it was about Anakin.

Because the message of the story is basically that:

"Ultimately, it's up to you to take personal responsibility and be compassionate. If you avoid responsibility and give in to your darker impulses for selfish purposes, bad shit happens. The only meaningful change can come from within."

And in Anakin's case it didn't. He zigged instead of zagging at almost every turn.

Now, you can agree or disagree with that message. But that's what it is. Even some of the current Star Wars authors acknowledge this.

The story of Anakin Skywalker is told in the movies.

The Clone Wars is there as an addendum to:

Shine a spotlight/provide context on minor changes between Episode II and Episode III.

Humanize Anakin, to further drive the point that what happened to him can happen to anyone.

ADDENDUM: